December 10, 2013 § Leave a comment
|Amdavad ni Gufa – Ahmedabad, India|
|Sunil Nimawat’s Wood Cut on Display|
|Sachin Dadhich’s Sculpture in Mixed Media|
|Rokesh Kumar Singh’s Stone Sculpture|
|Lalit Garg’s Paintings in Mixed Media|
|Arpit Biloria’s Sculptures in Metal|
|Margee Patel’s Stone Sculptures|
|L to R – Sunil Nimawat, Sachin Dadhich, Mayank Sharma, Lalit Garg, Arpit Biloria, Margee Patel, Riddhi Shah, Jyotika Rathore & Rokesh Kumar Singh|
|Divya Bhaskar – Ahmedabad – 13 November 2013|
|DNA – Ahmedabad – 13 November 2013|
|Ahmedabad Mirror – 14 November 2013|
|Sandesh – Ahmedabad 15 November 2013|
January 18, 2012 § Leave a comment
November 1, 2011 § Leave a comment
Many of our winged friends did grace us with their presence… peacocks, pigeons and crows.. they were all part of the installation along with hundreds of paper lotuses in various sizes…
The use of Chabootra and Antique Traditional Darwaza(Doors and Gates) is symbolic to life in and around the old city creating the social fabric- well integrated which was safe in the walled city with various Darwaza’s built along the city. The Chabootra(Bird Feeder) is an intrinsic feature of Ahmedabad community dwellings where people gather for various daily chores as well evening chit chats, thus keeping the harmony within the community healthy and well informed.
The story goes that a long time ago the 13 gates of the walled ahmedabad city were locked each night and the keys given to the Nagarsheth. One night a Muslim Dwarpal or gatekeeper saw a woman trying to leave the city .. it was Laxmi, the godess of wealth and prosperity. He tried to stop her and when she said she waned to leave the city he told her that he would go get the keys to the gate .. he made her promise that she would not step out of the city until he returnd. She gave him her word. he went and got the keys from the nagarsheth’s house but was sad that she would leave .. he would not let that happen .. he took his own life and Godess Laxmi still dwells within the city .. she never left because the gatekeeper did’nt return .. he sacrificed his life for the prosperity of the city , so that it would always prosper and grow.
Something about this story must be true… Ahmedabad is the fastest growing city in india today and it’s people and business continues to thrive. The installation touched on this aspect of the city ..It’s growth and journey from being a small hamlet called ashavali on the banks of the sabarmati ruled by a bhil king to what it is today.
· A Fine Line · Ahmedabad Heritage Cell · Alliance Francaise, Ahmedabad · Amit Ambalal’s gallery and Haveli · Anart Foundation · Archer · Banyan Art · British Council Division · Darpana / Natarani · Upasana school of Performing Arts/Gujarat University · Five Issues/Gopika Jadeja · House of MG, Ahmedabad · Huteesing Visual Art Centre · Kanoria Centre for Arts · Lemongrasshopper · Max Mueller/ Goethe Institute · MIRIAD, Manchester · Paulomi Lalbhai Studio · PLATYPUS · Pro-Helvetia · Sheth C N College of Fine Arts · Nazariya
October 15, 2011 § Leave a comment
ASHAVALI TO AHEMEDABAD
A journey from the time when the city was a tiny settlement known as Ashavali on the east of the river Sabarmati led by a Bhil king, then a city thriving and growing under the rule of Karandev and being named Karnavati to being the great sultanate of Ahmed Shah : Ahmedabad. Dynamically transforming itself by the time; today it is the sixth largest and fastest growing city in India. A unique city that has a strong sense of community living and an uncanny sense of business with its thriving textile industry travelling the industrial era, earned the title Manchester of the east. This sense gave way to many faiths to coexist emerging into a unique social fabric and thus made the place more diverse yet uniting itself with a pulsating fresh, modern vibe yet holds its traditions dear, where one is free to choose the pace at which to live.
With every reign leaving a trace of shadow in its own way on the city, remarkable being the Sultanate of Ahmed Shah by its architecture evident till day are living examples of cultural mélange. The fervor being carried not only in its visual pattern, appeal but the people coming into its lap are touched and adapt well to its offerings later only contributing greatly to itself.
A city that is flourishing since 600 years and has an amazing life pattern. We take you on a quick nostalgic flashback through all that is Ahmedabad. A journey through the city’s trials and triumphs!
October 15, 2011 § Leave a comment
Ahmedabad depicted through art by artists from “Banyan Art” Baroda.The living city of Ahmedabad is rich in diverse culture. People here lead a simple and quite lifestyle, but during any festival the city transforms into a rich colorful event. Like in Navratri, people gather and dance for nine consecutive nights; “garba”, a dance form in convoluting circles, similar to how the very city of Ahmedabad is growing around the walls. In Garba, people are free to join the dance and thus the circle grows larger, and the energy flows till the midnight Aarti. The circles of this city itself have an ability to overlap creating beautiful patterns that are resilient and have stood the test of time, echoing through the ages.
Time keeps moving around a lamp, a lamp that has burned for centuries at the Delhi Darwaza, the heart that keeps the city prosperous. The city flows seamlessly from the remnants of a beautiful old walled city with 12 gates to the river front that will soon be lined with beautiful. coffee shops, parks and theatres . There is now a distinct visual culture in Ahmedabad and the city leaves an image, a visual imprint
Besides these the city boasts a multiple cultural influences. These influences extended beyond religion, to architecture, literature, art and crafts etched in society.
Today the city has a modern facet in the form of its world acclaimed buildings, educational institutes, entrepreneurs, industries and infrastructure ever growing into a prolific city of international repute keeping its heritage intact for generation next. Come to Ahmedabad to witness modernity and traditions coexist hand in hand.
October 6, 2011 § Leave a comment
September 2, 2011 § 1 Comment
Amazing work and equally good display, was eyecatching to many onlookers.
A glance of few exhibits from two different rooms.