December 10, 2013 § Leave a comment
|Amdavad ni Gufa – Ahmedabad, India|
|Sunil Nimawat’s Wood Cut on Display|
|Sachin Dadhich’s Sculpture in Mixed Media|
|Rokesh Kumar Singh’s Stone Sculpture|
|Lalit Garg’s Paintings in Mixed Media|
|Arpit Biloria’s Sculptures in Metal|
|Margee Patel’s Stone Sculptures|
|L to R – Sunil Nimawat, Sachin Dadhich, Mayank Sharma, Lalit Garg, Arpit Biloria, Margee Patel, Riddhi Shah, Jyotika Rathore & Rokesh Kumar Singh|
|Divya Bhaskar – Ahmedabad – 13 November 2013|
|DNA – Ahmedabad – 13 November 2013|
|Ahmedabad Mirror – 14 November 2013|
|Sandesh – Ahmedabad 15 November 2013|
November 16, 2013 § Leave a comment
The exhibition titled ‘Unconditional love’ is showcasing the work of 13 artists from Studio A simultanoulsy both at The Gallery and at Hutheesing visual art center, Ahmedabad. A majority of artists have done their initial studies at C.N. fine arts and some of them had continued their studies at MS University, Baroda and London university.
One of the facets of the exhibition at ‘The Gallery’ is the exploration of new technique by the artists as a way of expressing themselves. Harshid Patel has experimented with the painting of architectural motifs on gold and silver leaf background. Roma Patel has worked with acrylic – bringing the fluid forms created by acrylic paint on glass onto canvas to get interesting abstract forms. Alpesh Dave experiments with threadwork on human faces – his work with Picasso is especially interesting for the humor it recreates. Bhavin Vaishnav has explored the same form of a boy figure in different media from carved wood to sketches.
The juxtaposition of contrasting images often in relation to the human body are seen in many artworks : among them Kumar’s work ‘peace of mind’ in which the juxtaposition of human face with rockets are seen. The same approach is further seen in sculpture in Chowhan’s juxtaposition of nails on human lips. By juxtaposing the child’s image with objects related to his work Rakesh Patel has tried to bring in the narrative of working children into his artwork.
The art work collection of Sonal Ambani including the works of senior artists such as Nabibaksh Mansuri and Mahendrabhai Kadia as well as Sonal Ambani’s owm work on ‘World peace’ is displayed at ‘Huthessing visual art gallery’.
October 25, 2013 § Leave a comment
October 21, 2013 § Leave a comment
|DNA News Paper – 19 October 2013|
Anil Majmudar, Arpit Biloria, Alpesh Dave, Sandeep Suneriya, Sunil Darji, Hindol Brahmbhatt, Tushar Kamble, Manish Modi, Purvi Parmar, Debasish Dutta, Vijay Bagodi, Sonal Verma, Susmita, Kajal Shah, Bhavin Vaishnav, Pulkit Prajapati, Indrapramit Roy, Vijay Roy, Mitali Shah, Deviba Wala, Shaam Pahapalkar, Nemaram Jangid, Pankaj Vishwakarma, Possi Prasad, Rahul Mukherjee, David, Shaik Azghar Ali, Rakesh Patel, Roma Patel, Nilesh Suthar, Vishala Patel, Mehul Rathod, Kumar Chauhan, Jitu Oghani, Ramgopal Kumavat, Uday Mondal, Vipul Prajapati, Tapsi Nath, Govind Bishvas, Manish Doshi, Dilip Chobesia, Jayanti Rabadia, Devraj Goswami.
March 14, 2012 § Leave a comment
November 1, 2011 § Leave a comment
Many of our winged friends did grace us with their presence… peacocks, pigeons and crows.. they were all part of the installation along with hundreds of paper lotuses in various sizes…
The use of Chabootra and Antique Traditional Darwaza(Doors and Gates) is symbolic to life in and around the old city creating the social fabric- well integrated which was safe in the walled city with various Darwaza’s built along the city. The Chabootra(Bird Feeder) is an intrinsic feature of Ahmedabad community dwellings where people gather for various daily chores as well evening chit chats, thus keeping the harmony within the community healthy and well informed.
The story goes that a long time ago the 13 gates of the walled ahmedabad city were locked each night and the keys given to the Nagarsheth. One night a Muslim Dwarpal or gatekeeper saw a woman trying to leave the city .. it was Laxmi, the godess of wealth and prosperity. He tried to stop her and when she said she waned to leave the city he told her that he would go get the keys to the gate .. he made her promise that she would not step out of the city until he returnd. She gave him her word. he went and got the keys from the nagarsheth’s house but was sad that she would leave .. he would not let that happen .. he took his own life and Godess Laxmi still dwells within the city .. she never left because the gatekeeper did’nt return .. he sacrificed his life for the prosperity of the city , so that it would always prosper and grow.
Something about this story must be true… Ahmedabad is the fastest growing city in india today and it’s people and business continues to thrive. The installation touched on this aspect of the city ..It’s growth and journey from being a small hamlet called ashavali on the banks of the sabarmati ruled by a bhil king to what it is today.
· A Fine Line · Ahmedabad Heritage Cell · Alliance Francaise, Ahmedabad · Amit Ambalal’s gallery and Haveli · Anart Foundation · Archer · Banyan Art · British Council Division · Darpana / Natarani · Upasana school of Performing Arts/Gujarat University · Five Issues/Gopika Jadeja · House of MG, Ahmedabad · Huteesing Visual Art Centre · Kanoria Centre for Arts · Lemongrasshopper · Max Mueller/ Goethe Institute · MIRIAD, Manchester · Paulomi Lalbhai Studio · PLATYPUS · Pro-Helvetia · Sheth C N College of Fine Arts · Nazariya
October 15, 2011 § Leave a comment
ASHAVALI TO AHEMEDABAD
A journey from the time when the city was a tiny settlement known as Ashavali on the east of the river Sabarmati led by a Bhil king, then a city thriving and growing under the rule of Karandev and being named Karnavati to being the great sultanate of Ahmed Shah : Ahmedabad. Dynamically transforming itself by the time; today it is the sixth largest and fastest growing city in India. A unique city that has a strong sense of community living and an uncanny sense of business with its thriving textile industry travelling the industrial era, earned the title Manchester of the east. This sense gave way to many faiths to coexist emerging into a unique social fabric and thus made the place more diverse yet uniting itself with a pulsating fresh, modern vibe yet holds its traditions dear, where one is free to choose the pace at which to live.
With every reign leaving a trace of shadow in its own way on the city, remarkable being the Sultanate of Ahmed Shah by its architecture evident till day are living examples of cultural mélange. The fervor being carried not only in its visual pattern, appeal but the people coming into its lap are touched and adapt well to its offerings later only contributing greatly to itself.
A city that is flourishing since 600 years and has an amazing life pattern. We take you on a quick nostalgic flashback through all that is Ahmedabad. A journey through the city’s trials and triumphs!